Poets

A critical profile of Ange Mlinko, tracing the poet’s use of perception, association, image, sound, verbal play, and lyric compression.

A critical profile of Murray Moulding, tracing haiku, comic compression, memory, aging, Now and Then, Earthlings at Low Tide, and a long life in creative writing.

A critical profile of Peter Nickowitz, tracing Cinema Vernacular, cinematic poetics, playwriting, screenwriting, Rhetoric and Sexuality, Jonathan, and Our Son.

A critical profile of Stephanie Young, tracing love, music, labor, housing, Oakland, collaboration, and the hybrid poetics of Pet Sounds.

A critical profile of Shane Allison, tracing queer memory, Black gay experience, repetition, collage, and books including I Remember, Slut Machine, and Sweet Sweat.

A critical profile of Duriel E. Harris, tracing body, sound, citizenship, performance, major poetry collections, editorial work, and experimental form.

A critical profile of Cassie Lewis, tracing landscape, memory, migration, postcard poems, early books, and The Blue Decodes.

A critical profile of Michael Farrell, tracing collage, sound, visual form, Australian poetic invention, major collections, literary scholarship, and fiction.

A critical profile of Anne Babson, tracing American experience, myth, music, public life, major poetry collections, opera, teaching, and New Orleans literary culture.

A critical profile of Eric Raanan Fischman, tracing rhythm, contemplative poetics, humor, Naropa, Boulder literary life, Mordy Gets Enlightened, and recent collaborative work.

A critical profile of William Corbett, tracing memory, landscape, friendship, literary community, visual art, Pressed Wafer, and the conversational life of his poetry.

A critical profile of Janet I. Buck, tracing lyric memory, illness, mortality, family, small-press publication, and her award-winning poetry collections.