Denise Duhamel

Möbius Form, Appetite, Memory, and Feminist Wit

Denise Duhamel across three issues

Denise Duhamel is an American poet known for combining formal invention with popular culture, sexuality, politics, autobiography, humor, and feminist inquiry. Her books include Kinky, Queen for a Day, Ka-Ching!, Blowout, Scald, and Second Story. She is a Distinguished University Professor at Florida International University.

Three appearances span Issues 12, 17, and 24. Issue 12 records “Canzone of a Shoe Salesgirl”; its poem text is absent from the surviving page. Issue 17 preserves “Möbius Strip: True or False,” whose physical instructions turn the poem itself into a loop. Issue 24 preserves “INDEX OF SOME OF WHAT SHE ATE,” where food, shame, nostalgia, appetite, illness, memory, and family history take the form of an index. Together these works show Duhamel’s sustained interest in inherited forms and the pressures of lived experience.

Möbius Strip: True or False

after Luc Etienne, a variation

              I’m pretty

sure my mother was

a virgin.    Now

the trend is to take

the doughy middle out

of the bagel and throw

it away.  The trend used

to be–eat half.   I’m

pretty sure my father

wasn’t.  A woman

calls The Loveline to ask,

“Are laxatives safer than

throwing up?”     When

I was a teenager, hoping

to wear four-panel jeans–

left front leg blue,

left back leg yellow (am I

the only one who remembers

these?) right front leg orange,

back front leg green–

I was already a size

fourteen.      The Sears

catalogue sold those jeans,

but they only went up to 12.

Every size after 12 was

“chubbette.”      If I had

lived I may still have been

a camp heroine, but fat like

my rival Elizabeth Taylor.

Who am I?       I know

Dr. Dray was just trying

to save her life, but he

shouldn’t have said, “Bulimia

doesn’t help you lose weight.

All you lose are fluids.”

The caller knew he was

lying, and he lost all his

credibility.  She started to

fade, “Uh huh, right, uh

huh…”  My grandmother

(my father’s mother) cut

up the meat on his plate until

he was 32, until he married

my mother.      A girl once

choked to death giving a guy

oral sex.  Is this urban legend

or truth?      He’s still not

very good with a knife–No

Americans are complains my

husband who expertly shaves

the salmon away from its gray

skin with his.      My mother

used to say the Sears Catalogue

was my bible.  I sat in front

of it for hours, turning the thick

slick pages.    He rented porno

when I was away.  I had a fit.

When I slammed the door he

didn’t run after me.        The

card he sent said, “Do I have

a chance?”   Oh marzipan,

who molded you into such

a beautiful flower, your hefty

sweetness glistening like

wet sand?      Why did I hit

her?  She was so little.   One

year (1971?) you could see

the penis of a male model

in boxer shorts and all

the Sears catalogues that

hadn’t gone out to customers

had to be destroyed.  The

girl at the poetry reading

said to me, “How can you

even write about that?”  She

had gray bowls, lumpy

like oatmeal, under her

eyes.  “I’ve been well

a long time now,” I said.

She said, “I just came out of

the hospital again.  I’ve been

three times, nothing works.

I really need to talk to

you.”      My best friend:

a.) had the penis-catalogue;

b.) only said she had the penis-

catalogue or c.) was jealous

because our family got

the penis catalogue

first.   I am the son

of god, a carpenter, a shoe

salesman, a curse.  I’m also

into fasting–can you guess

who I am?     The mean

mother, the one who never

served cookies, who

demanded quiet, grabbed

a scrap of construction

paper from the floor under

the kitchen table and

screeched, “Who left this

here?”   True or false:

everything is about sex except

sex which is about power

and money.      Someone

pulled my arm to sit me at

a table to sign my books.  “Wait

here,” I told the girl, and her

oatmeal eyes shot something

like hatred towards me,

a dim weakened hatred.

She waited by the door

and whenever I could I

tried to smile at her.

She was glaring at me, and

looking at her watch.  I should

have excused myself, signed

fewer books.         You can

also see a penis inside

the swirls of the camel fur

on a packet of Camel cigarettes.

At first the body just looks

like scrambled eggs, but stare

long enough and you’ll see

the penis.    The truth

is I’m still not completely

well.        When she

slammed the door I didn’t

run after her.

How to make the Möbius strip

For the complete “Möbius Strip” effect, print two copies of the poem. Tape the pages into two long pages, trim away the title and material below the final line, and place the copies back to back so that they run parallel in mirrored orientation. Loop the resulting strip into a cylinder, twist it once, and join the first and last lines. The reading can begin or end at any point.

INDEX OF SOME OF WHAT SHE ATE

The Issue 24 poem takes the shape of an index whose entries turn remembered foods into cross-references for nostalgia, shame, binging, anxiety, merriment, illness, family ritual, and survival. It begins with applesauce and Newport Creamery milkshakes, moves through bagels, breads, candies, hospital food, communion wafers, childhood snacks, diets, and near-death experiences, and ends with yams and Zarex syrup. Its alphabetical order creates a second autobiography out of appetite.

Selected surviving entries:

Applesauce, p. 12
Awful Awful milkshakes from Newport Creamery, p. 24 (See also INDEX OF NOSTALGIA)

Bacon, p. 14
B.L.T.’s, mother teaching her to say “hold the mayo,” p. 16
Bagels — cheese bagels, p. 67; egg bagels, p. 64; sourdough bagels p. 63 (See also INDEX OF BINGING and INDEX OF SHAME)

Carrot juice, palms orange from overdrinking, p. 111 (See also INDEX OF ANXIETY)
Chocolate — chocolate bars, chocolate chips, chocolate-covered cherries, Godiva, M&M’s, Whitman Sampler

Dirt, spoonful of, p. 2-3
French toast, p. 6, 74, 110 (See also INDEX OF NOSTALGIA)
Hospital food, p. 38, 104, 190-191
Host, the Catholic, p. 17, 39, 88-89, 106, 210

Jiffy Pop popcorn, bottom mostly burnt, p. 23-24 (See also INDEX OF NOSTALGIA)
Kool-aid — finished drink, p. 20; powdery crystals from the packet, p. 19

Pop Rocks, rumor of Mikie choking on, p. 12-13 (See also INDEX OF NEAR-DEATH EXPERIENCES)
Space Food Sticks, “the energy food developed by Pillsbury under a government contract in support of the U.S. aerospace program—balanced nutrition, 44 calories,” p. xi

Wasabi, choking, mistaking it for guacamole, p. 131 (See also INDEX OF SHAME)
Yams — baked, p. 88; candied p. 22
Zarex syrup, with the zebra logo on the bottle — finished drink, p. 20; sweet undiluted syrup p. 19

Books and teaching

The Poetry Foundation, the Academy of American Poets, and Florida International University document Duhamel’s books, collaborations, awards, and teaching. Her career includes extensive collaboration with Maureen Seaton, a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, and guest editorship of The Best American Poetry 2013.